Siamthianmawi
Department Of English, MGM College
The people of Nagaland are a community who relied strongly on oral traditions as foundations to preserve their cultural identity and history in the absence of pre-colonial written records. Passed on through generations by elders, they also serve to impart wisdom, moral values, and social norms to the younger generations. Writing or recording of things first began during the late 19th century, with the coming of American Baptist missionaries who developed written scripts for local languages to assist Bible translations and education.
Naga writers began emerging during the 1970s, and by the 20th century, native Naga writing began to emerge, with Alemchiba Ao receiving attention for his work on history and culture. Tajenyuba Ao was considered to be the first to write a book in English, A History of Anglo-Naga Affairs, which was written around 1958. Following these pioneers, a number of Naga writers emerged who not only, through their works, seek to preserve the rich Naga cultures, but also question certain setbacks responsible for the stagnation of progress. Through their works, they also created an international stage for the Naga voices in the contemporary world. In later years, many Naga writers used literature not only to preserve traditions but also to question social challenges and highlight issues that affected their communities. Among these influential voices is Temsula Ao, a renowned poet, short story writer, and ethnographer. Through her works such as Laburnum for My Head and These Hills Called Home, Temsula Ao captured the memories, struggles, and resilience of Naga communities. Her stories often portray the emotional impact of conflict, displacement, and survival, while celebrating the deep connection between the people and their land.
Easterine Kire’s novel A Terrible Matriarchy is a powerful example of how the Naga voice is represented in English literature. The term Naga voices does not literally refer to speech, but to the expression of Naga history, identity, and lived experiences faced by the community. Through the character of Dielieno, Kire portrays the life and the expectations placed upon a young Naga woman. She also explores the role patriarchy plays within the society, and through conflicts between Dielieno and her grandmother, symbolizes the subtle transitioning experienced within the Naga culture. She also reflects on the impact of World War II in the Naga community, highlighting the unrest and suffering people experienced due to being caught in a larger political conflict. Through characters like Vini, she expresses the people’s deep love for Naga culture and their determination to preserve it. As more writers step forward, the stories of Nagaland’s soil continue to echo beyond its hills, reminding readers everywhere of the enduring strength of indigenous voices.
